May is Asian Pacific American Heritage Month! Though it’s worth noting that, to paraphrase from a wry friend, “for some of us, every month is APA Heritage Month because… we own mirrors.”
So yeah, we should celebrate APA heritage every month. But sometimes it’s nice to consecrate time to reflect on what APA heritage means to us and our communities. For me, APAHM is about honoring the diversity of APA experiences. It’s about remembering that there is no single APA story. APA artists are continuing to expand and enrich the narrative, bringing in more LGBTQ, first- and second- generation, Southeast Asian, hapa, low-income, and refugee perspectives.
So to celebrate the rich multiplicity and intersectionality within “Asian Pacific American,” I’m excited to showcase some of my favorite books by APA authors. Check them out below!
It’s easy to underestimate or dismiss the impact of independent bookstores. When I was growing up, the only bookstore in my neighborhood was an enormous Barnes & Noble. It wasn’t until I worked in publishing in New York that I realized the importance of independent bookstores—how they help to shape a sense of community and identity around books, particularly in communities of color.
When I duck into the bookstore before Celeste Ng’s talk, I feel conspicuously literary. The Wordsmith Bookstore is in San Francisco’s historic and grungy Haight-Ashbury neighborhood. The attendees are mostly University of San Francisco MFA students—vibrant, leaning forward in their seats, just older than me. (Later during Ng’s talk, I notice that the MFA students punctuate her poignant lines with a low “mmh,” as if they were verbally underlining sentences.) On top of it all, I’m wearing a black faux-leather jacket that looks like it reads Allen Ginsberg poetry whenever I’m not inhabiting it.
As I found out during the talk, both of Ng’s novels are grounded heavily in where Ng herself came from. Ng grew up in a Chinese American family in Ohio. She describes her suburban hometown as inclusive the point of self-consciousness. On the surface, one saw manicured lawns, cordial neighbors. But behind closed doors, there resided the kind of shame that motivated the desperate desire for perfection, the kind of desire that compelled the residents to keep their trash cans behind their houses, away from the open street, and have garbage collectors surreptitiously pick it up and carry it away.
Everything I Never Told You opens with a sense of perfect suburban calm, violently destabilized: “Lydia is dead. But they don’t know this yet. 1977, May 3, six thirty in the morning, no one knows anything but this innocuous fact: Lydia is late for breakfast.”
Happy October! There are so many reasons to celebrate this month: October is Filipino American Heritage Month and LGBT History Month! If you’re reading this in ~real time~, I’m likely with my mom at a Filipino arts exhibit at the Asian American Art Museum. Amidst all of this celebration, I’m so excited to share with you one of my favorite YA books of the past year – definitely something to pick up this special month. Read on for a tale of high school friendship, budding romance, and a spectacular cast of LGBT superhero teens!
The aftermath of the 2016 election was a brutal blow for all women. Nearly a year later, it still pains me to revisit that night: The long walk to my dorm. My hopes for progress on gender equality dashed by the grim confirmation that America once again chose the side of misogyny. I was likely not the only ambitious young woman who thought, So this is the world I am graduating into. This is how that world treats women who want more for themselves.
The November 2016 election is the starting point for Anne Helen Petersen’s collection of essays, Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman. Petersen holds a Ph. D. in media studies; you may recognize her as a senior culture writer at Buzzfeed. In the Introduction, Petersen describes about how she, like many of us, was crushed when she saw perhaps the most prominent woman in America, the toughest and most capable in her field, lose to a man who openly boasted about sexual assault. The election, and what it revealed about how severely society delimits the definition of “a good woman,” was the impetus for Petersen’s collection.
Enter seven unruly women. For the subjects of her essays, Petersen chose to examine a prominent woman in the public eye who has somehow been deemed “unruly,” improper, deviant. In this state of national uncertainty, Petersen argues that “unruliness,” in all fields and from all women, is more necessary than ever.
It’s good to be back in my blog happy place writing book reviews, and even better to be writing about this book.
Angie Thomas’s debut novel has received abundant critical praise; it’s held its ground on the New York TimesYoung Adult bestseller list since it came out in February. And because this is YA and you were wondering, casting for the movie adaptation is already underway.
I’m thrilled to add my thoughts on the book that I hope will be a cultural touchstone that defines this generation of new YA and, more importantly, YA readers.
I have this theory that your bookshelf is a portrait of who you are, particularly if you bought a lot of books growing up. Study your bookshelf closely enough and you can trace the ideas that compelled you at different point in your life.The seven volumes of Harry Potter captured my imagination between the ages of five and thirteen. There’s the Eragon series from my 5th grade dragon phase, those tomes that only Comparative Literature majors read, and some poetry that I thought was good when I was sixteen but now find extremely questionable.
My bookshelf reveals the meandering path I’ve taken to build an understanding of the world. And if you’re also like me, the majority of my bookshelves was occupied by books written by white authors. It’s not a totally bad thing. I truly value some of those books – even from a white, European perspective, they could touch on some universalities that I felt as an Asian American girl. But my bookshelf also revealed my blind spots: there was little that I knew about Black, Latinx, Native American, LGBTQ+, and disability experiences. I didn’t even come across an Asian American protagonist until I was seventeen, and I didn’t read a FilAm protagonist until I was 20!
The disparities on my bookshelf have less to do with conscious choices than subconscious biases, the lack of diversity in the publishing industry, the systemic barriers to entry for authors of color, and the dominance of a straight-white-male literary canon that is taught and valued in American high schools.
Since college, I’ve made it a point to diversify my bookshelf and deepen my understanding of stories that aren’t my own (after all, reading diversely is an act of resistance). Here are the 10 diverse books that helped shape my understanding of perspectives outside my own: