When I duck into the bookstore before Celeste Ng’s talk, I feel conspicuously literary. The Wordsmith Bookstore is in San Francisco’s historic and grungy Haight-Ashbury neighborhood. The attendees are mostly University of San Francisco MFA students—vibrant, leaning forward in their seats, just older than me. (Later during Ng’s talk, I notice that the MFA students punctuate her poignant lines with a low “mmh,” as if they were verbally underlining sentences.) On top of it all, I’m wearing a black faux-leather jacket that looks like it reads Allen Ginsberg poetry whenever I’m not inhabiting it.
As I found out during the talk, both of Ng’s novels are grounded heavily in where Ng herself came from. Ng grew up in a Chinese American family in Ohio. She describes her suburban hometown as inclusive the point of self-consciousness. On the surface, one saw manicured lawns, cordial neighbors. But behind closed doors, there resided the kind of shame that motivated the desperate desire for perfection, the kind of desire that compelled the residents to keep their trash cans behind their houses, away from the open street, and have garbage collectors surreptitiously pick it up and carry it away.
Everything I Never Told You opens with a sense of perfect suburban calm, violently destabilized: “Lydia is dead. But they don’t know this yet. 1977, May 3, six thirty in the morning, no one knows anything but this innocuous fact: Lydia is late for breakfast.”
Happy October! There are so many reasons to celebrate this month: October is Filipino American Heritage Month and LGBT History Month! If you’re reading this in ~real time~, I’m likely with my mom at a Filipino arts exhibit at the Asian American Art Museum. Amidst all of this celebration, I’m so excited to share with you one of my favorite YA books of the past year – definitely something to pick up this special month. Read on for a tale of high school friendship, budding romance, and a spectacular cast of LGBT superhero teens!
The aftermath of the 2016 election was a brutal blow for all women. Nearly a year later, it still pains me to revisit that night: The long walk to my dorm. My hopes for progress on gender equality dashed by the grim confirmation that America once again chose the side of misogyny. I was likely not the only ambitious young woman who thought, So this is the world I am graduating into. This is how that world treats women who want more for themselves.
The November 2016 election is the starting point for Anne Helen Petersen’s collection of essays, Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman. Petersen holds a Ph. D. in media studies; you may recognize her as a senior culture writer at Buzzfeed. In the Introduction, Petersen describes about how she, like many of us, was crushed when she saw perhaps the most prominent woman in America, the toughest and most capable in her field, lose to a man who openly boasted about sexual assault. The election, and what it revealed about how severely society delimits the definition of “a good woman,” was the impetus for Petersen’s collection.
Enter seven unruly women. For the subjects of her essays, Petersen chose to examine a prominent woman in the public eye who has somehow been deemed “unruly,” improper, deviant. In this state of national uncertainty, Petersen argues that “unruliness,” in all fields and from all women, is more necessary than ever.