An unexpected death and the slow unspooling of family secrets in ‘Everything I Never Told You’

When I duck into the bookstore before Celeste Ng’s talk, I feel conspicuously literary. The Wordsmith Bookstore is in San Francisco’s historic and grungy Haight-Ashbury neighborhood. The attendees are mostly University of San Francisco MFA students—vibrant, leaning forward in their seats, just older than me. (Later during Ng’s talk, I notice that the MFA students punctuate her poignant lines with a low “mmh,” as if they were verbally underlining sentences.) On top of it all, I’m wearing a black faux-leather jacket that looks like it reads Allen Ginsberg poetry whenever I’m not inhabiting it.

I’m here because I have just read Ng’s debut novel Everything I Never Told You in a breathless sitting, then found out that she would be giving her talk about and reading from her latest novel, Little Fires Everywhere in San Francisco.

As I found out during the talk, both of Ng’s novels are grounded heavily in where Ng herself came from. Ng grew up in a Chinese American family in Ohio. She describes her suburban hometown as inclusive the point of self-consciousness. On the surface, one saw manicured lawns, cordial neighbors. But behind closed doors, there resided the kind of shame that motivated the desperate desire for perfection, the kind of desire that compelled the residents to keep their trash cans behind their houses, away from the open street, and have garbage collectors surreptitiously pick it up and carry it away.

Everything I Never Told You opens with a sense of perfect suburban calm, violently destabilized: “Lydia is dead. But they don’t know this yet. 1977, May 3, six thirty in the morning, no one knows anything but this innocuous fact: Lydia is late for breakfast.”

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